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Hemanthchowdary
Bewarse
Username: Hemanthchowdary
Post Number: 1846
Registered: 04-2005
Posted From: 24.136.160.64
Rating: N/A
Votes: 0 (Vote!) | | Posted on Saturday, June 04, 2005 - 9:51 am: |    |
yeh, manishiga analaysis chesthadu mama. kani fan ga rating isthadu. ade theda. kikiki. |
Zenith
Bewarse
Username: Zenith
Post Number: 1191
Registered: 10-2004
Posted From: 80.196.137.189
Rating: N/A
Votes: 0 (Vote!) | | Posted on Saturday, June 04, 2005 - 9:47 am: | |
//These kinds of stories have come aplenty in the past.
D du..
//Mahesh Babu always had a flair for selecting roles that expose new dimension to him with each new film
Pogidadu..
//Taking and technique of Guna Sekhar is excellent. The framing of shots is superb.
pogidadu..
//Screenplay by Guna Sekhar is a bit on the slack side as he took too much of time to establish the simple story and characterizations.
D du..
motham antha allage vundi.. +ve & -ve rendu cheppadu.
inka rating antava naku teliyadu.. kani vadi analysis baguntundi.. |
Hemanthchowdary
Bewarse
Username: Hemanthchowdary
Post Number: 1839
Registered: 04-2005
Posted From: 24.136.160.64
Rating: N/A
Votes: 0 (Vote!) | | Posted on Saturday, June 04, 2005 - 9:42 am: | |
alantappudu analysis ala rayatam deniki mama.  |
Zenith
Bewarse
Username: Zenith
Post Number: 1188
Registered: 10-2004
Posted From: 80.196.137.189
Rating: N/A
Votes: 0 (Vote!) | | Posted on Saturday, June 04, 2005 - 9:41 am: | |
anni bagunda cinema adali ani ledu kadha.. ipudu jeevi rating ekkuva iste arjun ookadu ayipoyeda ? mahesh nee tisete thokalo cinema arjun |
Hemanthchowdary
Bewarse
Username: Hemanthchowdary
Post Number: 1838
Registered: 04-2005
Posted From: 24.136.160.64
Rating: N/A
Votes: 0 (Vote!) | | Posted on Saturday, June 04, 2005 - 9:39 am: | |
Anni terrific ani 3 istham. |
Zenith
Bewarse
Username: Zenith
Post Number: 1187
Registered: 10-2004
Posted From: 80.196.137.189
Rating: N/A
Votes: 0 (Vote!) | | Posted on Saturday, June 04, 2005 - 9:38 am: | |
RGV cinemalo tech. value gr8 ani epudu rattaru.. rating epudu 4 kuda raadu.. cinemalu kuda peddaga adavu.. |
Hemanthchowdary
Bewarse
Username: Hemanthchowdary
Post Number: 1837
Registered: 04-2005
Posted From: 24.136.160.64
Rating: N/A
Votes: 0 (Vote!) | | Posted on Saturday, June 04, 2005 - 9:36 am: | |
Story: Story of the film is a typical sister sentiment film. These kinds of stories have come aplenty in the past. Mahesh Babu always had a flair for selecting roles that expose new dimension to him with each new film. An action orientation is added to make this story take different proportions.
Screenplay - direction: Taking and technique of Guna Sekhar is excellent. The framing of shots is superb. Screenplay by Guna Sekhar is a bit on the slack side as he took too much of time to establish the simple story and characterizations. Taking of the film is stylish. Direction of the film is adequate, but action orientation dominated sentimental scenes at times. The narration of the film is pretty slow.
Music: Background score by Mani Sharma is terrific. Songs are better on the screen compared to listening on the audio player. My personal favorite is 'Sambhavami' that has excellent stylish presentation in video album style. The next best song is 'Dumdumare' song that is shot in Madhura Meenakshi temple set with the night effect. The next choice is the teasing song 'Raa Raa'. 'Madhura Meenakshi' song is also good. The remaining two duets between Mahesh and Shriya could not make much impact, as they do not have proper lead scenes.
Dialogues: Dialogues by Paruchuri brothers are apt and situational. They did not try to deliberately insert punch dialogues. There is one particular dialogue in the film that justifies the acts of Mahesh Babu in the entire second half -
"Madhurai ni kapadataaniki Meenakshi amma vundi.
Naa meenakshi (sister) ni kapadukovataniki nenunnanu'
Other departments: Photography by Sekhar Vincent is excellent. The visual effects are seamlessly integrated into the film without making them look artificial. However, the graphics work appears not so impressive in the climax scene where logs from lorry were slipped on to the road. Artwork by Thota Tharani deserves a special mention. He recreated the magic of Madhura Meenakshi temple with such a realistic finesse. But Madhura Meenakshi temple is not used to the maximum effect in the film. Editing by Srikar Prasad is good. Stunts by Vijayan are good, but too much of threadwork made the fights appear superficial and there by overshadowed the sentiment factor in certain vital scenes. Color grading of the film is impressive.
Production: Producer G Ramesh Babu should be commended for making a film on such a grandeur style without bothering about economics and viability. Each and every frame of the film oozes richness and majesty. |
