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Eduman
Pilla Bewarse
Username: Eduman
Post Number: 7
Registered: 08-2005
Posted From: 61.95.134.115
Rating: N/A
Votes: 0 (Vote!) | | Posted on Saturday, August 13, 2005 - 6:30 am: |    |
aithe rayi babu  |
Pokiri
Kurra Bewarse
Username: Pokiri
Post Number: 540
Registered: 08-2004
Posted From: 198.69.173.194
Rating: N/A
Votes: 0 (Vote!) | | Posted on Friday, August 12, 2005 - 10:49 am: | |
nenu stute, pagelu pagelu rayagalanu.
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Eduman
Pilla Bewarse
Username: Eduman
Post Number: 3
Registered: 08-2005
Posted From: 61.95.134.115
Rating: N/A
Votes: 0 (Vote!) | | Posted on Friday, August 12, 2005 - 5:26 am: | |
@Poki adoka bakar site. adi ku pettalaaaaaaaaaaa.
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Nuvvu antha topu gaadivi aithe nuvvu raayi babu. |
Pokiri
Kurra Bewarse
Username: Pokiri
Post Number: 533
Registered: 08-2004
Posted From: 198.69.173.194
Rating: N/A
Votes: 0 (Vote!) | | Posted on Thursday, August 11, 2005 - 3:17 pm: | |
adoka bakar site. adi ku pettalaaaaaaaaaaa. |
Btboy
Pilla Bewarse
Username: Btboy
Post Number: 16
Registered: 08-2005
Posted From: 202.153.37.211
Rating: N/A
Votes: 0 (Vote!) | | Posted on Thursday, August 11, 2005 - 2:52 pm: | |
intha review sadavadam kanna calm cinema sudadam better emooo. alaslu nenu chadivetappudee oneday batting chesevadini ala tavulu tavulu papers sadava lekaa. |
Tifosi
Vooriki Bewarse
Username: Tifosi
Post Number: 5176
Registered: 03-2004
Posted From: 208.37.228.208
Rating: N/A
Votes: 0 (Vote!) | | Posted on Thursday, August 11, 2005 - 2:42 pm: | |
ee review posTaDaniki kotta ID avasaramaaa??? |
Eduman
Pilla Bewarse
Username: Eduman
Post Number: 1
Registered: 08-2005
Posted From: 202.65.136.134
Rating: 
Votes: 2 (Vote!) | | Posted on Thursday, August 11, 2005 - 2:36 pm: | |
Perhaps this is much talked about film in recent times, not for reasons of the guesswork about its quality but for the time it took for production and release and for this being a do-or-die venture for Trivikram who is basically a very established dialogue writer but with one unsuccessful directorial venture haunting him. Besides, producers and the hero talking much of this film's outcome describing it as a film of grandeur. The expectations raised high brought large chunks of audience to the theatres for the opening. The expectations went up because of this pre-release talk. The post-release talk happens to be divided. And this film is said to be the one that will put Mahesh Babu on the winning track once again. For Mahesh this is a different film. For writer/director Trivikram the battle is half won from the point of view of box office and laudable attempt from critical point of view. True the film gives an image of a Hollywood base for the drama. Even the taking, screenplay structure and execution of scenes, less talk and more action - all add to this image. But there are elements in this film that only a Telugu man can do it originally. That is the love track. And the way Trivikram put to view the scenic structure between Mahesh Babu and Trisha is impressive and refreshing. There is some psychological element that is embedded in this part of the romantic drama, especially when it is run between a young man, an orphan brought up by underworld dons, finding guts in heart and guns in his hand. He becomes professional killer. This constitutes one chapter of the drama that opens the film.
In the second part, we are told how he is erroneously dubbed as the real killer of a politician (Sayaji Shinde) aspiring to become Chief Minister of the state. One way this death is the result of his own scheming, like the proverb 'Cherapakura Chedevu'. The third segment of the story narrates how the chase for Nandu (Mahesh Babu), thinking he is the real killer of the politician, leads to the murder by police of an innocent, named Parthasarathi (Rajeev Kanakala) traveling in the same train sitting opposite Nandu. This provides opportunity to Nandu to assume the deceased name and move to the village that he belongs to and pretend he is the lost and found boy of that family. The old man Murthy (Nazer) and the rest in the house believe he is their real boy who ran away right in his childhood but returned as a grown-up young man. Partha is the 'Bava' of close relative of the family, played by Trisha. This spot gives opportunity for both the roles played by Trisha and Mahesh - the girl applying all methods to win the heart of the young man believing him to be the real heir of the family and the latter Mahesh, keeping his temper cool who is caught up with two emotions - guilt, because he is impersonating the real Partha and then for using the house as his hideout to keep the investigating police away.
Prakshraj and his men of the CID run the fifth track of the drama, keeping themselves on the track of this missing man who think he is the criminal; who killed the minister. Then we find other gangs lead by other kinds of Mafia headed by Kota Srinivasa Rao. As the film progresses and enters the zone of discovery of the real culprits, Kota, a politician, who masterminded the murder of the politician by bribing Sonu Sood, who is in fact the friend of Mahesh and was acting till then in collusion with Nandu. Rest show how the police zero in on Nandu only to learn in the end that the real murderer of the politician is another man, Sonu, not Nandu. This also paves way for the fructification of love between Nandu and the girl, after realising who is who.
There are plenty of characters mostly at the domestic front. While the first half is devoted to the crime part of the story, the second part brings in the family drama. Trivikram displays a deft hand at not only writing special comedy but also playing it up in scenes he specially has drawn for Mahesh and Trisha. The film has class touch in the action part, where guns replaced the previous fist fights and the domestic love drama in which modesty is replaced by blatant expression of love to the man she loved. No wonder the audience too developed taste for these elements. It is indeed engaging drama but quite subtle in parts that might not be able to be comprehended by mass audience. Even the action drama of political treachery played by one minister against the other and how they proceed with wrangling at every stage also may not be easily understood. Trivikram indeed proves the director of the present with future. Music by Mani Sharma and Peter Heins action choreography help to build the image of the film. |
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