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Switchblade
Pilla Bewarse
Username: Switchblade
Post Number: 332
Registered: 10-2004
Posted From: 129.33.49.251
| | Posted on Wednesday, July 26, 2006 - 4:03 pm: |    |
tadu tegindhi
Jump Jilani.  |
Hemanth
Bewarse ke Bewarse!
Username: Hemanth
Post Number: 18732
Registered: 03-2004
Posted From: 65.196.167.82
| | Posted on Wednesday, July 26, 2006 - 3:33 pm: | |
baaga edavandi, meeku migilindi adega, flops lo kottukuntunnaru. kiki. |
Pda
Pilla Bewarse
Username: Pda
Post Number: 104
Registered: 06-2006
Posted From: 129.138.18.85
| | Posted on Wednesday, July 26, 2006 - 3:18 pm: | |
// ejaculate histrionics
histrionics ni kooda ejaculate settaraa..mee dumpa degaa |
Gochi
Bewarse ke Bewarse!
Username: Gochi
Post Number: 25287
Registered: 07-2004
Posted From: 162.136.192.1
| | Posted on Wednesday, July 26, 2006 - 3:16 pm: | |
Getting Kudos from Amitabh and Rajani genuinely is another feather in his cap. Decimating the records in the anals of Tollywood is another feather. All these things would not have been possible without the ejaculate histrionics and ravishing looks of Mahesh
ithanevaro english coveringlo pacchi booths thittaaduga mahesh ni... anal anta ejaculate anta...
STALIN - System Needs His Rule |
Switchblade
Pilla Bewarse
Username: Switchblade
Post Number: 304
Registered: 10-2004
Posted From: 129.33.49.251
| | Posted on Wednesday, July 26, 2006 - 2:41 pm: | |
evarni kummadu
Jump Jilani. |
Bignole
Vooriki Bewarse
Username: Bignole
Post Number: 4083
Registered: 03-2004
Posted From: 161.225.1.12
| | Posted on Wednesday, July 26, 2006 - 2:15 pm: | |
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Tyrael
Bewarse
Username: Tyrael
Post Number: 1868
Registered: 05-2006
Posted From: 65.174.40.114
| | Posted on Wednesday, July 26, 2006 - 1:16 pm: | |
- System Needs His Rule |
Hemanth
Bewarse ke Bewarse!
Username: Hemanth
Post Number: 18714
Registered: 03-2004
Posted From: 65.196.167.82
| | Posted on Wednesday, July 26, 2006 - 12:52 pm: | |
emi rasadu assala. kummi avathalesadu.  |
Kalki
Desanike Pedda Bewarse
Username: Kalki
Post Number: 6065
Registered: 04-2005
Posted From: 129.33.49.251
| | Posted on Wednesday, July 26, 2006 - 12:51 pm: | |
wikipedia nuvva?
 eyyyy messacardeyyyy...pull meals tokeneyyyy |
Pda
Pilla Bewarse
Username: Pda
Post Number: 98
Registered: 06-2006
Posted From: 129.138.18.85
| | Posted on Wednesday, July 26, 2006 - 12:51 pm: | |
Encyclopedia for Acting//
Encyclopedia ante cycle / richa kaadandii..adi sala goppadi ani artham |
Hemanth
Bewarse ke Bewarse!
Username: Hemanth
Post Number: 18713
Registered: 03-2004
Posted From: 65.196.167.82
| | Posted on Wednesday, July 26, 2006 - 12:48 pm: | |
The sublime point in generating interest is undoubtedly the presentation of characters and their actions at any point of time during the play. While looking at Heroine character through a window needs not only poking but also, to a larger extent, gushing out expressions which portray delight, curiosity and crush. Mahesh excelled in that scene by releasing all those emotions through his face adding a pinch of innocence to his born gift Charm. It is not that you feign expressions to others as perceived by you but the other way round. An actor become success in acting on achieving this and no wonder Mahesh is termed an actor par excellent. Imagine any one acting in place of Mahesh when the lift door opens after repair. The actor there is going to hug the actress but stops as the door opens. Then what would be the reaction of the actor? The term instinct applies to acting skills as well to raise the graph of behavioral nuances for effectiveness of the scene. In this scene Mahesh’s hands which are going to hug the actress, in a split response, when the door opens, tweaked in a manner that gives the message “Now we are safe” to the staring public. The expressions and movements during a song are very much necessary but not beyond the meaning of the lyric and music. Devuda Devuda Song is a perfect example of blending expressions, movements with those of lyrics and music. You can see the change of expressions in accordance with the lyrics, no matter how small is the word in the song. The expressions of Mahesh in this song spring along with the tunes and words of the lyric. Mahesh’s eyes radiate grief and wrath so naturally in the scene where he weeps for his father and looks at his colleague’s corpse. Shy and Surprise at a time is best emoted by him when the heroine comes to meet him first time. He did complete justice to the subject matter, involving recklessness with a sense of responsibility, and took the acting to greater heights with his subtleties. He showed Fury with his eyes in the Compartment fight scene thus eliminating onus on the writer for lengthy and loud dialogues. It is no wonder why every director wants to direct him. And in fact the director is not directing him literally, but only showing his natural acting abilities.
Getting Kudos from Amitabh and Rajani genuinely is another feather in his cap. Decimating the records in the annals of Tollywood is another feather. All these things would not have been possible without the immaculate histrionics and ravishing looks of Mahesh
Courtecy - bava from pfdb |
